I do really like the way you're showing what we've been fed up with since You-Know-When. You chose a flipbook and I'd say you're choice is not only interesting but reveals the reality of human relationships.

Your flipbook is a toy and I think the war we're all living on Earth (even if we're not feeling it as strong as the ones who live under the bombs) is like a big endless game in a schoolyard. We're all like children: there is the strong guy, some who dare attack the strong guy but keep hiding not to be destroyed, and the others who jump on the sensational effects of this game (I think you and me and loads of Euro-Americans belong to the third part). And finally, in middle position there is the big candy packs we're all fighting for.

We're all weak children in this large schoolyard and we're killing each other for a candy packs. Your flipbook will help me and my friends to live again the turn of the game.

How would you feel if I started selling September 11th Flipbooks for money and profit?

I think that big channels like CNN, FOX or TF1 (French) are using terrorism in a quite more critical way than you could do by selling it for profit. Iraq war (1991) has been lived in direct by the Americans. Media wanted the audience to watch it like a series... for entertainment. But now their point of view is not only biased but calculated to feed the fear in the western populations and therefore to keep people under domination. Because Terrorism can touch everywhere. I think Michael Moore (whom I do not like so much) is showing it well in Fahrenheit and Bowling for Columbine.

If you sell your flipbooks I'm sure you'll give people the opportunity to think. They'll see that scene without any comments from journalists. They'll feel it in their own way...I did study art a bit this year and the main question we had to think about was the presentation of art... the link between the object and the viewer. We do not care if it's politically correct or not.. But the fact that 9/11 is still in the memory and that we do not know how another people could react seeing that scene on a flipbook help me to say that your flipbook could never be a stupid gift we exchange with friends.. You cannot get it without glancing oddly at the one who did offer it to you.

But to speak once more about presentation, I think it's the first time an artist is using the Internet to collect reactions. I think what we call art is not the flipbook itself, but the way you're introducing it to the spectators. D'you remember the museum where you cannot touch anything, where you must stay behind the red line.... it's over... Let's exchange, Let's poke our noses into everything...

Philippe Dubost