ART
Portraits
Web
Clocks
Videos
Paintings
Collages
New
STORE
Wear
Use
Prints
Books
INFO
Resume
Press
Exhibits
Blog
Contact
TwitterInstagramFacebook
Creative Commons License
Licensed Under
Creative Commons
Ecstasy Self Portrait Q & A
with Bonnie Molins

Q - What are you trying to say by using ecstasy pills to create portraits?
A - Basically, here is what I can do, right now, with what I have. I got that line off of a fortune cookie, but I really like it. Speaking more specifically about my art and my intentions behind creating a self-portrait made with ecstasy pills, it is about collecting information off the Internet and remixing it into something I can call my own. My XTC self-portrait is also about what I can do with Adobe Photoshop, which is the standard computer graphics application. I try to make artwork that when you first see it, there is no doubt in your mind that it was made on a computer.

Q - What gave you the idea in the first place?
A - I have been making pixelated style portraits with bar codes for the past 4 years. XTC pills come in a variety of colors, shapes, and sizes, which makes them good for a digital halftone. All of the benday dots in Roy Liechtenstein’s paintings looked the same but they were not the same. I create every tile in my artwork to have a unique character. The pills also have logos on them, which adds another conceptual level to the image.

Q - What is the significance of creating an image of yourself with ecstasy pills?
A - I am the creator of the image. I am the best person to take a picture of the exact image I’m looking for. I am responsible for the way I look, I took the picture, and I arranged the pills into a painterly pattern. It is my face and my seal of authenticity for this piece of art. I plan on using the same photo of myself for several new images using the XTC pills.

Q - What is the significance of the 'x'?
A - The obvious reason I drew an "X" on my forehead is because common slang for ecstasy is simply "X".

I’m really into writing on my face. The first person I can remember drawing something on their forehead was the serial killer, Charles Manson. I know that Manson has a swastika now, but it was first just an X to get people’s attention. I’m trying to turn it up as loud as it will go.

One artist that has inspired my art in a big way is Chuck Close. He said that he never tried to "turn it up" when he shot pictures for his portraits. I am reacting to portraits done in the past, and a significant part of my time and the people I’ve portrayed with barcodes is how they turn it up. When I put my face in the mix, next to celebrities, I have to do something special. I have reserved writing on forehead and using a color palate for creating self-portraits.

Q - Any new portraits you’re creating from ecstasy pills?
A - I just got started with these ecstasy pills and I plan on making several other images with them. One reason I was drawn to these pills was because of the psychedelic quality, and I want to push that hallucinatory element in my artwork. I’m working on new grid layouts that spin the pills into a radial pattern.

I would really like to use my XTC halftone to portray Dancesafe’s founder, Emanuel Sferios, because without him none of this data would be possible.


Email, August 2002
Brandon Native Turns Barcodes into Works of Art
on TBO News website
by Rod Carter
Tampa, Florida
June 2010
Omahan Creates Bar Code Art
on WOWT News website
by Brian Mastre
Omaha, Nebraska
September 2009
Scott Blake Interview
on Dixonfoma Website
by Dixon Cordell
April 2009
Amazing portraits of Elvis and Madonna made entirely from bar codes
in Daily Mail Newspaper
by Gavin Bernard
United Kingdom
May 2008
Scott Blake: Behind Bars
in Swindle Magazine
by Jason Filipow & Anne Keehan
Los Angeles, California
March 2007
Interview with Scott Blake
on Soul Coffee Website
by Geoff Pitchford
August 2005
Interview with Scott Blake
on FryCookOnVenus website
by FryCookOnVenus
September 2004
The Fine Art of Bar Codes
in The Reader Newspaper
by Jeremy Schnitker
Omaha, Nebraska
February 2004
Creating art one pixel at a time
in The District Newspaper
by Craig Oelrich
Savannah, Georgia
March 2003
Macro/micro, subversion, and celebration
by Alessandro Imperato
Savannah, Georgia
October 2002
Ecstasy Self Portrait Q & A
by Bonnie Molins
August 2002
Original Artist Statement and FAQ
May 2001
Barcode artist Scott Blake digitizes human expressions
on Silicon Prairie News website
by Andrea Ciurej
Omaha, Nebraska
May 2010
Omaha Barcode Artist Scans Famous, Infamous Faces
on KETV News website
by John Oakey
Omaha, Nebraska
October 2009
Black is Beautiful
in Lowdown Magazine
by Sven Fortmann
Germany
August 2008
You're not special
on DocHoloday website
by DocHoloday
August 2007
Get acquainted, Scott Blake
in Inbox Magazine
by Andrey Oaheeb
Russia
February 2006
Madonna Portraits Q & A
August 2005
Bring Your Bar Codes
in Art Papers Magazine
by Kent Wolgamott
May 2005
Email from "Jesus"
September 2004
Finding Form in Bar-Code Function
on TechTV Live
by Andy Jordan
San Francisco, California
October 2003
The Body-Mined Show Catalog
by Glenn Zucman
Long Beach, California
January 2003
Abrstraction, "Capitalist Realist",
and the system

by Alessandro Imperato
Savannah, Georgia
November 2002
Enrayer le code
in Etapes Graphiques Magazine
by Vanina Pinter
France
July 2002
Return To Publications